So it’s plug and play even without a real amp both live and in the studio!Įffectloop to mix ANY sound with the chainsaw channel: Using these profiles or IRs you can plug the Grindstein straight into your soundcard. There’s Kemper profiles and IRs of different poweramps and cabs included. Plug and Play recording device and livesound: It can go from the Swedish HM2 sound all the way to 90’s Florida transistor distortion, but with modern fat lowend and thightness like never heard before! A character beast with many dirty sonic possibilities! The ultimate combination of old school and modern! The pedal is intended to be played straight into the poweramp of a tubeamp with a cranked presence! (You can use it in front of an amp as well, but it’s not gonna produce the sound from our demovideos.) You can go anywhere from a ripping chainsaw to a more modern and tight sound with just a touch of grind. We are taking the dirty and fuzzy death metal tones from the 90s into the modern age. Which is what a great riff is all about.Metal producer Kristian Kohle ( Aborted, Benighted, Powerwolf, Hämatom, Eskimo Callboy) and KLIRRTON have teamed up for this dirty beast! It's just a pure, simple ripper that gets the job done – it can be repeated a hundred times and not get boring. Heartwork is probably my most listened-to death metal album of all time and this fat fucking stanky riff has had the same effect on me ever since I first heard it. It combines stanky bends, the weird trademark Azagthoth creativity and the odd pinch harmonic. But I'd have to go with that ‘verse’ riff. I mean, this song is one festering dirt riff after another so it's hard to pick just one. Morbid Angel - Where The Slime Live (from 0:48) To be honest it could have gone on for eternity and I'd just there banging my head until my head is hanging on by its last fibre of muscle. I love that it just breaks, repeats and fades out. Bolt Thrower - Remembrance (from 2:07)īolt Thrower have an extensive armoury of some of the most elite shit you'll ever hear and it was so hard to pick just one riff from them, but they are at their best when they're executing simplicity to perfection. This riff lives in my head rent-free: a stank-face inducing, neck-breaking, knuckle-dragger of a riff. Mammoth Grinder - Diving Loss (From 0:00) When I first heard them play it live, honestly, to this day it's the heaviest thing I've ever heard.Ĥ. Imagine someone breaking off a piece of stalagmite from a cave floor and pulverising your face until you’re just a lifeless body in a Cannibal Corpse T-shirt with nothing but a blood puddle left where your head used to be - then you're half way there. Cannibal Corpse - Scourge Of Iron (from 0:11) That sense of anticipation it creates only enhances the next part when it kicks in.ĥ. I love slow and I love filthy and I love a long single note doom riff, which is essentially what this is. Gatecreeper - Patriarchal Grip (0:00 onwards) Fetid are probably one of the filthiest sounding bands around at the moment.Ħ. I just love how this whole part makes me think of some slimey little fish-thing crawling out of a body of primordial goo, slowly finding its feet and just as it does, the guitars ooze their way in on the evolutionary action. Ultimate respect for doing a bass riff and it actually sounding sick - the bass tone is fucking rank.
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